Ciao i miei amici,
I first off want to apologize for this long awaited post, I just have been so overwhelmed by all my traveling that I have yet to find some spare time to blog. However that is until now.
As mentioned in a previous entry, where I stress subjective viewer-ship as opposed to introspective viewer-ship I mentioned how viewing art with others is a great way to reflect on a work of art as a whole. I feel ever since my experience in the Palazzo Pitti as well as the Uffizi I have grown rather accustomed to the social museum experience. I still love to reflect introspectively on hidden gems within the small churches and palaces of Florence however when it comes to major tourist museums as seen with the Academia sometimes it is just best to be subjective.
I visited the Academia with my two dear friends who both possessed an extensive art background. One had previously seen the David before, while the other like myself was seeing the David for the first time. Upon entrance into the Academia, I was filled with gratitude for my friends of the Uffizzi card. A crowd nearly blocked the entrance and the foyer of the first gallery was congested to the brim with buzzing tourists. Then came the moment of anticipation, after viewing and commenting on various works of byzantine and renaissance church art we ventured down the long and narrow hallway to the room of The David. My friend expressed the magnificence of David prior to my visit and warned me how he would catch us off guard upon entrance into the hallway. However, at the time I dismissed his wariness, yet of course he was right.
The Academia embodies the David; this museum is far smaller than portrayed and is comprised of mainly church works. Yet, David stands on his own as something so captivating that he beckons forth millions of tourist every year to witness his magnificence. Thus, he has lured me as well as many other fellow art lovers to question the definition of perfection.